Sunday, March 26, 2023

The storyteller

interview

Jemima Khan sheds light on the experience of making documentaries and how it compares to working on scripted projects.

Jemima Khan has been in the public eye for much of her adult life, garnering (often unsolicited) attention for everything from her personal exploits to her philanthropic efforts. But what you may not realize about her is that she has also established an impressive career as a documentary producer. Through Instinct Productions – a content company she founded almost a decade ago – Jemima has helped shine a light on interesting real-life stories and fascinating individuals, with her work earning praise along the way.

“I really like producing documentaries,” Jemima tells Instep, “and I normally have a really personal reason for making the stories that I then devote myself to.”

The projects she has backed include the Emmy-nominated docuseries The Clinton Affair, which explored the Bill Clinton–Monica Lewinsky scandal – a subject she revisited in the Golden Globe- and Emmy-nominated Impeachment, the third season of the scripted American Crime Story anthology series, for which she, again, served as a producer – and another Emmy-nominated documentary, The Case Against Adnan Syed, the story of a young man wrongfully convicted of murdering his ex-girlfriend.

Comparing the experience of producing documentaries to that of working on a scripted project – like her new film What’s Love Got to Do with It?, her foray into screenwriting – the Brit highlights the difference in control over the projects and how long it takes to complete them. “Producing normally takes a couple of years, and you see it through to the end and you are intricately involved, but it's not the same thing as writing,” she says. “Writing was a completely different experience.”

She also feels there are things you can achieve with a scripted project that you perhaps can't do with a documentary. “I have one project where I did both the documentary version and the scripted drama version. That was the Monica Lewinsky impeachment story,” she elaborates. “I think we could possibly do more to show the turmoil and pain of the central character of Monica Lewinsky with a scripted drama, because you could go behind the scenes, and you could see stuff that isn't on camera; you have to make that stuff up but I think there's a level of emotional engagement that you can get sometimes with scripted that you might not be able to get if the archive is lacking with a documentary.”

It was perhaps this flexibility that inspired her to go the scripted route with What’s Love, a film with which she aimed to present Pakistani in a positive light. “I wanted it to be a very celebratory film about Pakistan. I wanted it to be about colour and music and architecture and the food and really to get a very visceral sense of the country. I felt that a cinematic experience on the big screen would do that more effectively.”

She remains passionate about her documentary work though, and you can see why, given the impact some of her projects appear to have had. 

Coming out this year is the final episode of the docuseries she made about the case of Adnan Syed, the American Muslim who was put away for life when he was 17 for a crime that he did not commit. “We made a documentary about that for American and British TV called The Case Against Adnan Syed. Basically that boy was incarcerated because of Islamophobia straight up because they had a so-called cultural consultant – a white American consultant – who went into the court and said these people do honour killings; basically on that basis, without any DNA evidence, without any motive, he was put away for life. So he's been in jail for the whole of his life.”

Adnan, now in his mid-40s, has just been exonerated, thanks in part to the work by Jemima and her team. The upcoming episode sees Adnan walking free and moved the producer to tears. “I watched the cut last night and it made me sob, because his family really remind me of Imran's family, my ex-husband's family,” she says. “They're a Pathan family and I think his ancestors are from Lahore, and it's so moving, because this family has been destroyed by what happened to them. The father hasn't left his bedroom and became agoraphobic because of the shame and because of the grief of what happened. This A grade student who was wrongly convicted, and you see the moment where he walks in and he hugs his father after 20 plus years and it's very moving, so I’m very privileged to have been part of that [project] because some of the evidence that we collected over the making of the documentary is what got him freed in the final episode.” And that, she explains, is why she remains passionate about exploring real-life stories and documenting reality.

- By Sameen Amer

Instep, The News on Sunday - 26th March, 2023 *

In the picture: Shazam! Fury of the Gods

movie review

The very unexceptional Shazam sequel doesn’t make the most of its plot’s underlying whimsy but still remains watchable.

Shazam! Fury of the Gods ★★★

Starring: Zachary Levi, Asher Angel, Jack Dylan Grazer, Rachel Zegler, Adam Brody, Ross Butler, Meagan Good, Lucy Liu, Djimon Hounsou, and Helen Mirren
Directed by: David F. Sandberg
Tagline: Oh. My. Gods.

As the DC Extended Universe attempts to reshape itself (hopefully into something more compelling than the mess we’ve gotten over the last decade), we are left with the final pre-reboot projects before the DCEU morphs into the DCU. Among these remnants is Shazam! Fury of the Gods, the second outing of teenager Billy Batson and his foster siblings who transform into adult superheroes upon reciting the titular magical phrase.

Their nemeses, this time around, are the Daughters of Atlas: commanding Hespera (Helen Mirren), vengeful Kalypso (Lucy Liu), and kind-hearted Anthea (Rachel Zegler). They seek retribution and aim to reclaim the magic that was stolen from them long ago. 

The sorceresses face off against the Shazamily in what is basically a standard issue superhero caper. You have the charming, well-meaning, sometimes-bumbling good guys. You have the baddies with their textbook nefarious plan that threatens the world. And you are never in any doubt about which side will emerge victorious. 

It’s all very generic and not quite as delightful as its predecessor. The story doesn’t take any interesting or creative turns and isn’t even brave enough to deliver meaningful consequences. The humour is amusing in parts, cringey in others. And the script could definitely have done with more polish. 

For all its faults though, Fury of the Gods is still fun. Even when the adventure is less than exciting, the proceedings aren’t exactly boring, thanks in large part to Zachary Levi’s charisma. He remains terrific as the adult version of the protagonist (even when the writing is failing him and his character), and we can only hope James Gunn and co. will allow him to continue his Shazam journey as they rework the struggling DC franchise.

All in all, the Shazam sequel falls firmly in the “turn off your brain and enjoy the silly adventure” category. It’s a middling popcorn flick with a solid cast and enough heart and moments of wit to keep you invested in the predictable tale. If you choose to give it a pass though, you won’t be missing much.

Rating: 3 out of 5

- By Sameen Amer

Instep, The News on Sunday - 26th March, 2023 *

Sunday, March 19, 2023

All you need is love

cover story

English writer and producer Jemima Khan talks to Instep about her film, What’s Love Got to Do with It?

Jemima Khan is an absolute pleasure to speak with.

You might expect her to have airs and graces – what with her affluent upbringing, global recognition, successful media career, high-profile relationships, and proximity to royalty – but nothing could be further from the truth.

The Brit is about as delightful as they come. 

Sitting in her London office, dressed in off-white and looking as lovely as always, the writer and producer joins me for a chat over Zoom. She is friendly, candid, and forthcoming, as we delve into the subject of our conversation: her work, primarily her new film, What's Love Got to Do with It?

Matchmaker, matchmaker, make me a match

The British romcom marks Jemima's debut as a screenwriter, and takes a cross-cultural look at love through the lens of Lily James's Zoe, a documentary filmmaker who follows her childhood friend, Kaz (Shazad Latif), as he opts to let his family arrange his marriage.

It's a sweet, fun drama, driven by Jemima's warm script that weaves Pakistani culture into the British tale. So what sparked the idea for the movie? 

“It kind of started when I came back from Pakistan, having lived there for ten years,” she replies. “My friends were at the age that they were looking to settle down and have children and looking for suitable partners. Because I'd just come out of this ten years where it was completely normal for family to get involved in the choice of suitable partners, I would get overly involved and start saying, 'ok let's look at it like an arranged marriage', and they were like, 'wait, what are you talking about?!',” she laughs.

Jemima's understanding of the whole “arranged marriage” concept had evolved during her stay in Pakistan. When she first arrived here at age 20, she saw the tradition as an outdated idea that really had no place in the modern world. By the time she left a decade later, she could see that it actually worked quite well in some circumstances, particularly when it took the shape of what her former in-laws would call “assisted marriage” where it was essentially an introduction made by the people who love you most and know you best. “I started to see that as just as good an introduction system as a random algorithm on a dating app over here,” she says. “And so I started having this conversation with friends here, and then I started to think what would have happened if I had been in my 30s, hadn't had the backstory that I've had, I hadn't been married with kids – what would happen if someone like me had had an arranged marriage in my early 30s? Who might my parents have chosen, and would it have worked out? And then I thought, well actually maybe that's a premise for a film! Maybe we'll have these neighbours who live together and the non-Pakistani family start off very sceptical but then it gets to the point where the non-British Pakistani character, who's played by Lily James, turns to her mother and says, 'alright, give it a go'. So that's where it started.”

Labour of love

The film has now arrived in cinemas, 14 years after its idea first popped into the writer’s mind. It took her a decade to write the screenplay (not full-time, of course; she was fitting the project into a busy schedule that included running a production company, and also still learning the mechanics of writing a screenplay). She almost gave up several times along the way, thinking the project was never going to happen, but her persistence eventually paid off. 

“When people are asking me what my next project is now, I'm like, well, you know, you'll see it in 2040 probably. I mean it takes such a long time!”

Not only does it take long, but the process of making a movie involves a lot of people – from directors and editors to actors and musicians – each of whom leave their mark on the project. “I've written probably a thousand different drafts of this,” she states, “because every single time a new person is attached to it, they give you notes, and then you rewrite it.” 

That explains why the movie we have ended up with isn’t quite the film Jemima set out to make. “It's a different project from the one that I embarked on,” she says. “There are so many different people involved in the making of a film that from start to finish, it's a completely different thing. How I first imagined it is not how's it's turned out, for better and for worse. … There are definitely things where it achieved more than I hoped and things where it achieved less than I hoped.”

Some of the elements that changed along the way? “I started off with the Lily James character being a boy,” she reveals. And there were a few actors – including Rob Brydon – who never made it into the final cut, mainly because of the length of the movie. “There was another sibling in the film and their husband [as well],” she tells. “We cut them out because it was just too many different stories to follow. And nothing to do with them. They were brilliant. But you know it just sometimes happens.”

Picture perfect

When it came to the cast, Jemima feels that her team were incredibly lucky. Every actor who ended up in the movie – from the leads to Shabana Azmi, Emma Thompson, and Sajal Aly – had actually been the filmmakers’ first choice. 

“I always really wanted Shazad Latif to play the main lead guy in it. I'd seen him in another film and thought he was really good for the part. And then it happened that he is really good friends with Lily James; they're childhood friends, so it suited the backstory of the characters really well.” 

The effortlessly charming Emma Thompson was a very obvious choice to portray Zoe’s mother. “We wanted someone of similar stature and similar talent to play opposite Emma and Lily. Sajal Aly felt like that for Lily and Shabana Azmi felt like that for Emma. They felt very well matched. I really believe that Emma and Shabana were friends and lived next door and adored each other, and I felt that Sajal needed to be a really plausible love rival for Lily James, and I feel like Sajal manages that.”

Even Asim Chaudhry was hand-picked by the writer. “I wrote the part of Mo the matchmaker for him. My children are really big fans of his, and I basically sent him a begging direct message on Instagram, saying ‘please, please, please, my children will love me forever if you agree to be in this film!’”

Her plan to please her kids appears to have worked; the movie has their seal of approval! “I was really nervous showing them [the movie] because they're my biggest critics and they don't like romcoms,” she says. “Actually they were really sweet. They shed a tear, they definitely laughed, and they said they were proud, so that was one of the best moments for me in the whole process. I showed them quite an early cut and we did it in the screening room at work, and I remember having this thought, ‘oh it doesn't matter, whatever else happens, even if no one else likes it, my children have liked it, and I have to try and remember this moment’.”

Who needs a stereotype when a stereotype can be broken?

As luck would have it though, her children aren’t the only ones who have positive things to say about the movie. And while she wants people to be entertained by the romcom, Jemima also hopes to demolish a few stereotypes and misperceptions along the way.

“One of the best things to have come out of it is that loads of my friends who have never been to Pakistan are like ‘oh my god, we wanna go to Pakistan!’ I feel like it should be on the tourist board,” she jokes.

“Maybe if some previously held ideas are somewhat challenged [by watching] the film, then that's a good thing,” she says. “To be honest, one of the other reasons why I made it was because I used to always hear my friends, [especially] in Lahore, where they would say the way we are always projected on screen in all the films that win awards, we are always the baddies. The Muslims are always the baddies in Hollywood films, in things like Homeland or Zero Dark Thirty. Pakistanis and/or Muslims are always seen as the shady ISI operatives, the terrorists, and all the [villains]. And I think it was a challenge. It was my aim to make a film in which that's not the case and actually the Pakistani family are very aspirational and there aren't really any baddies in the film, and it's a celebration.” 

Jemima is touched by the response of British Asians who have remarked on this aspect of the movie. “I feel like my intentions have been fulfilled. I set out with a very clear intention. I actually really wanted Pakistanis to like it. I was really most nervous about that audience. You know the concept of niyat, about intentions – it was one of the nice philosophies that I took away from Pakistan, that actions should be judged by intentions. And that was definitely my intention. Whenever I got scared about the film, I’d think, ‘it's ok, whatever the reaction, you know what your intentions were’, and I think that that has hopefully paid off in the reaction here.”

Real to reel

While What’s Love Got to Do with It? is inspired by some of the things she experienced during her decade in Pakistan, the project is not autobiographical. But if someone were making a movie about her life, who would she want to portray her in the film? “Gosh!” she smiles. “I don't know! I don't think I’d write a film about my life,” she chuckles. “I'd be too worried about breaking confidences and upsetting people, so I don't know. I genuinely have never thought about that.”

And would she consider writing an autobiography? “I think the same answer applies. I think … “ she pauses. “I would consider it; whether I would ever actually do it is another question. I think probably not. The answer is not at the moment.”

She will, however, continue to shine a light on the lives of people who deserve it. Her upcoming work includes the final episode of the documentary The Case Against Adnan Syed. (You can read more about her documentary projects in our next issue.)

And yes, she is also planning to do some more screenwriting. “I think I'm going to write something … I have an idea what it is but I'm not totally sure so I can't talk about it yet. You'll hear about it in 15 years!”

- By Sameen Amer

Instep, The News on Sunday - 19th March, 2023 *

Catching up with Momina Sibtain

interview

The YouTuber talks to Instep about her online show and what its latest season has to offer.

She has taken us inside Ali Zafar's house, had a quickfire chat with Brazilian footballer Kaka, driven along the streets of Islamabad with Momina Mustehsan, and conversed with the likes of Maya Ali, Ali Sethi, Ahmed Ali Butt, Gohar Rasheed, Ayeza Khan, and Faraz Manan, among many others.

Momina Sibtain is now giving us the third season of her YouTube venture – the fashion, lifestyle, entertainment, and travel channel Momina's Mixed Plate – interviewing more celebrities in her chatty, bubbly style.

Instep caught up with Momina to find out more about her experiences with MMP and navigating the world of online content.

Instep: What inspired you to create Momina's Mixed Plate?
Momina Sibtain:
I think initially when I was starting and developing the show, I saw the market and there wasn't anything like MMP that existed on YouTube or on television. The idea behind it was to create a light-hearted show that wasn't crass, that was not driven by controversy. Over time it has evolved into something that is a lot more wholesome, I believe, and the conversations have definitely changed, but, again, the initial inspiration was to have something like Jimmy Fallon and Ellen, something along those lines, which is light-hearted and chill and more accessible, especially in English, because I thought that, especially with Pakistani content growing amongst the diaspora, no show in English existed, so this was one way of adding to that.

Instep: What sets MMP apart from other local celebrity/showbiz-focused YouTube channels?
MS:
I think what sets it apart is that obviously the language is different; it's not in Urdu, it's more minglish and more English, so it is targeting a different audience altogether. But I think I’m a huge part of the show itself, and my personality is a big part of MMP. And while a lot more show can exist of the same format, my voice and my personality itself adds to the mix; I'm not trying to be conceited or self-absorbed, but I just think that it is what sets it apart – that I'm a part of it as well. Like, I’m an equal part of the show as my guest. And I enjoy having conversations and it is all very conversation driven so it's not very pre-planned. I have a loose structure that I follow and as I'm growing, the show is growing, so let's see where it goes.

Instep: How hard (or easy) is it to carve a niche for yourself online in an era of content overload and endless entertainment options?
MS:
I believe with anything sustainable, it has to be very organically grown. I feel like one hit wonders or overnight successes don't really amount to a lot in the long run. So yes, it's not easy; I wouldn't say it's easy. But if you love something, you have to chip at it consistently. There are frustrating days and then there are great days and then there are days where it's completely stagnant and then there are days when you see a decline and then there are days when you see an upward graph. So you have to kind of just be ok with that and also know that your self-worth or what you're putting out there is not just based on the numbers that you're seeing, so they'll come – they will come at some point. Just keep evolving, see what the audience is enjoying, or if you really believe in a vision then believe in the vision and stick to your guns.

Instep: What can you tell us about MMP season 3?
MS:
MMP season 3 is a real labour of love. It is the season that I am most proud of. When I looked at my set, I had tears in my eyes. I didn't know how and when I got to this place where I am. It's a season that's very close to my heart. It shows you a lot of my evolution as a host and season 4 will probably be even more evolution of me and how the show evolves with me.
There's a great line-up of guests. The conversations are fantastic. There are some conversations that when I took them to the editing board, I was very excited and proud that I was able to have these conversations very openly and very candidly. I think, also, as I'm maturing and growing older, I'm understanding just how to converse with people in a slightly different manner. 

Instep: Out of all the people/celebrities you have interviewed so far, who has been your favourite? And why does this interview/experience stand out?
MS:
There have been so many that I can't really name one. We record back-to-back, so each episode is like, you're in and out, in and out, in and out. My energy is running super high, and I’m in that consistent mode throughout. So I can't really pick one favourite episode or one favourite celebrity, but if I just take season 3, my personal favourite episodes are … Mathira's episodes are really good, Mansha Pasha and I have this wonderful conversation on marriage, Khalid Malik and I spoke about spirituality. I'm enjoying the conversations a lot more which are more heartfelt, which are more honest and authentic to someone's true self, so I guess now that is what I’m enjoying more.

Instep: What about your least favourite interview to date? Was there ever a time when the conversation just didn't go the way you would have hoped?
MS:
Well, the least favourite would be … I think when I was starting out initially, there were one or two guests that … it was my shortcoming that I couldn't connect with them. And I normally don't have this issue but one or two guests I didn't connect with, and I think they were also a bit camera shy, so the interviews didn't come out that well. But I would not like to name people because it's not something nice to say. 

Instep: The YouTube comments section: do the negative comments ever get to you? How do you handle the criticism?
MS:
Like with anything else in life, I think you have your days and I have my days as well. There are moments where I'll ignore negative comments because there are a lot that come through on YouTube especially. But then there are days … I’m human, there are days where I’ll snap and I might be having a bad day and I just … you know you don't want to hear [bad] things about you being written online, like you look bad or about your appearance or about your laugh. So yeah, it can be tough, but over time I’m growing a thicker skin, but again it's a very human process; I don't think there's any one way of handling it. One is that don't read them, but sometimes you do come across them and sometimes they will irk you and trigger you in different ways. I don't think they'll ever go away. In our country, people are just very miserable in their lives and they're just very unhappy people. There's just so much unhappiness around us. Yeah, there are days when they affect me and there are days when they don't affect me at all. As I'm evolving and growing, the days where I actually snap are far less now; it's like once in a blue moon now.

- By Sameen Amer

Instep, The News on Sunday - 19th March, 2023 *

In the picture: Missing

movie review

Missing is a taut techno-thriller that keeps you riveted to its twisty proceedings

Missing ★★★

Starring: Storm Reid, Joaquim de Almeida, Ken Leung, Amy Landecker, Daniel Henney, and Nia Long
Directed by: Will Merrick and Nick Johnson
Tagline: No one disappears without a trace.

Following in the footsteps of 2018's Searching, Will Merrick and Nick Johnson take the screenlife conceit out for another spin in Missing, an intriguing thriller that, like its predecessor, takes place entirely on screens but revolves around a completely different set of characters.

The protagonist, this time around, is teenager June (Storm Reid), who lost her father, James (Tim Griffin), when she was a child and has a loving but somewhat strained relationship with her mother, Grace (Nia Long). After enjoying a week of adult-supervision-free time while her mom is on vacation with her boyfriend Kevin (Ken Leung), June goes to pick the couple up from the airport upon their return from Columbia, only to realize that neither of them made it back to the U.S.

Worried about her missing mother and determined to find out what happened, June puts her sleuthing skills to the test, using technology to her advantage by reaching out to people over the phone while trying to seek help and find answers online. 

We see the proceedings unfold almost entirely through June's phone and computer screen, as it becomes increasingly clear that things aren't exactly how they seem. With the reveal of each secret, it becomes harder to figure out who is in June's corner and who might be responsible for her mother's disappearance.

There are several twists and turns on offer here along a fairly well-crafted route that sometimes stretches credulity but still remains riveting from start to finish. The movie keeps you guessing as it shifts suspicion several times, and its solid cast makes sure that you stay invested in their characters' fate. Reid makes a likeable protagonist, while the supporting actors deliver engaging performances, making it hard to figure out who the culprit really is. And even though we have experienced the screenlife gimmick before, it still remains an interesting, effective device that is visually intriguing and a powerful comment on how tech immersed modern life has become.

All in all, despite taking the occasional turn that isn't quite convincing, Missing keeps you hooked to its central mystery, delivering its drama through compelling characters and an unconventional style that fits the story well.

- By Sameen Amer

Instep, The News on Sunday - 19th March, 2023 *

Friday, March 17, 2023

Potpourri: of love and hate

potpourri

Watch

What's Love Got to Do with It?

In her screenwriting debut, Jemima Khan takes a cross-cultural look at love in What's Love Got to Do with It?, a delightful film that spruces the British romcom formula by garnishing it with Pakistani flavours. Lily James's loverlorn Zoe decides to follow her best friend, Shahzad Latif's Kaz, as he opts for an arranged marriage with a bride from Pakistan, documenting his journey for her next film. Things don't go quite as planned, however; although when it comes to matters of the heart, you can't really expect them to.

With a terrific cast (that also includes the likes of Emma Thompson, Shabana Azmi, and Sajal Aly) and a sweet script, What's Love is a downright charming romcom with lovable characters, touching (albeit predictable) drama, and a refreshingly warm look at Pakistani culture.

Read 

Spare by Prince Harry

The bizarre saga of the publicity-obsessed Sussexes continues in Spare, a memoir by Prince Harry that finds the writer spilling the tea on the mess that is the British royal family. The biography takes a look at Harry's childhood and his mother's death, his time in the military, and his relationship with Meghan Markle, while criticising the press and throwing his family – including “Pa” and “Willy” - under the proverbial bus.

Spare isn't exactly a literary masterpiece, and for a salacious tell-all, it's surprisingly dull and off-puttingly “woe is me”. It's ultimately more of a “borrow from the library” than a “spend your money on” volume.

Play 

June's Journey

Follow amateur sleuth June Parker as she solves mysteries and navigates life in June's Journey, a globe-trotting hidden object game set in the 1920s that lets you earn coins by finding objects in scenes, then spend the coins on purchasing decorations to beautify your island(s). For a more social element, you can join a club, share drinks for rewards, and play bi-weekly competitions.

It's a fun game that keeps you invested with likeable characters and interesting storylines. Resist the urge to spend actual money on the game though – Wooga really wants your cash, but June's Journey is very playable without spending a single rupee; you're going to have to watch in-app ads though, which can be kind of a drag.

- By Sameen Amer

Us Magazine, The News - 17th March, 2023 *

Sunday, March 12, 2023

In the picture: What's Love Got to Do with It?

movie review

What's Love Got to Do with It? is a fairly conventional British romcom with an unconventional Pakistani slant.

What's Love Got to Do with It? ★★★

Starring: Lily James, Shazad Latif, Shabana Azmi, Emma Thompson, Sajal Aly, Oliver Chris, Asim Chaudhry, Jeff Mirza, Pakiza Baig, Alice Orr-Ewing, and Rahat Fateh Ali Khan
Directed by: Shekhar Kapur

Sometimes there are movies that bring you joy merely by existing. What's Love Got to Do with It? is one of those instances. Not just because it's delightfully charming – which it is – but because it does what few other foreign films do: show Pakistan in a positive light and portray people of Pakistani descent as normal humans. Hurray for that!

Directed by Shekhar Kapur with a screenplay by Jemima Khan, the movie takes its cues from the Richard Curtis school of romcoms to create a sweet drama about the search for love and happiness, giving its tale a slightly different spin by imbuing it with flavours of Pakistani culture.

The protagonist is award-winning documentary filmmaker Zoe (Lily James), an unlucky-in-love Londoner who seems to be looking for Mister Right in all the wrong places. Turns out that a string of dating app swipes and hookups isn't what fairytales are made of, but how else are you going to find love in the modern world?

A potential answer arrives when her childhood friend and neighbour, the British Pakistani Kaz (Shazad Latif), announces that he has decided to let his family arrange his marriage. Could there be some merit to this seemingly quaint approach to finding a partner?

A fascinated Zoe decides to explore the concept, convincing Kaz to let her film his journey that will hopefully lead to matrimonial bliss. But things, of course, don't go quite as seamlessly as everyone would have hoped.

The overall formula may feel familiar, but What's Love drapes its romcom hijinks in cultural tones that usually can't be found in such flicks while touching on topics like racism, conservatism, and interracial marriages. Things never get too heavy though. It's all quite sweet and entertaining, thanks in no small part to the ridiculously charming cast that makes the proceedings warm and touching. It's impossible not to root for Zoe and Kaz when they're being played by actors as winsome as James and Latif. The supporting cast – particularly a very animated Emma Thompson, who portrays Zoe's mother – also bring much life and colour to the tale.

Ultimately, there may not be many surprises on offer here – is it mean to wish for an untidy ending for a romcom? – but What's Love Got to Do with It? still makes for enjoyable viewing and tugs at your heartstrings (especially if you have stumbled in your search for the right person) while leaving you feeling hopeful that there will be more projects – both local and foreign – that will embrace Pakistani culture and people with the same level of warmth.

- By Sameen Amer

Instep, The News on Sunday - 12th March, 2023 *