Sunday, September 30, 2018

Three mainstream EPs yield middling results

music reviews

If you like Third Eye Blind’s music, then you’ll find Thanks for Everything enjoyable; Survive the Summer appears to be Iggy Azalea’s attempt at proving her hip hop credentials; Liam Payne’s debut EP, First Time, finds him stranded in the middle of the road

Artist: Third Eye Blind
EP: Thanks for Everything

A lot may have changed in the world of music (and the world in general) in the two decades since they enjoyed their mainstream heyday, but Third Eye Blind still sound pretty much the same. Their latest release, Thanks for Everything, is very distinctly 3EB even though the group wrote none of its content themselves.

The seven song extended play, a layby on the road to their next album, is a collection of covers, put together while the band seeks inspiration to create their next original set. It’s an eclectic mix of songs from various genres, and overall it’s a very impressive selection. Instead of redoing ubiquitous rock staples that have already been covered over and over again by numerous artists, Stephan Jenkins and co. have gone in a more unique direction, reinterpreting somewhat lesser-known tracks from seven vastly different performers.

Opening with a cover of rock outfit Happy Diving’s ‘10’ and closing with their version of indie folk darling Bon Iver’s ‘Blood Bank’, Thanks for Everything sees the band make each piece their own without straying too far from the original compositions, creating their standard guitar-driven sound powered by Jenkins’ distinct voice.

It’s when you compare these renditions to the originals, though, that their shortcomings start to become apparent. The emotive rawness of the original gems – like the aforementioned Bon Iver track or Tim Buckley’s beautiful ‘Song to the Siren’ – has been polished to the point that the emotional impact has been diminished. When, for instance, Pete Doherty mumbles “they’ll never play this on the radio” on Babyshambles’ rebellious ‘F*** Forever’, you believe him; when Jenkins sings it on 3EB’s version of the tune, you’re not so sure.

If you like Third Eye Blind’s music, then you’ll find Thanks for Everything enjoyable even if it doesn’t quite reach the resonance of the original material it recreates. The band has put their own stamp on these songs, but their versions aren’t necessarily as impressive or as impactful as the originals. The group does have terrific taste in music though and seems to be searching for inspiration in all the right places.

Highlights: ‘10’, ‘F*** Forever’, ‘This Isn’t Our Parade’
Rating: 3 out of 5

*****

Artist: Iggy Azalea
EP: Survive the Summer

Even at the height of her (inexplicable) popularity, Iggy Azalea was quite polarizing. The Australian performer seemed to spend less time topping charts and more facing allegations of cultural appropriation while getting lambasted for everything from her affected Southern accent to her annoying imitation of hip hop stereotypes.

Whatever pop appeal songs like the Charlie XCX-aided ‘Fancy’ and Rita Ora-assisted ‘Black Widow’ had – that too because of their contributors, not their principal artist – has been stripped away from her latest release, Survive the Summer, a six song extended play that appears to be the artist’s attempt at proving her hip hop credentials, even though all it does is highlight just how weak her material and delivery are.

Her limited, crude subject matter mostly revolves around her physical and financial assets. From the grating style to the ridiculous brags, it is all a bland, monotonous concoction. The set shows occasional signs of promise with its guest appearances (Tyga appears on ‘Kream’ and Wiz Khalifa features on ‘OMG’), and its intriguing, ominous beats could have yielded compelling tunes had they been handled by a more skilled performer. But ultimately this effort succumbs to the artificiality of the artist at its core.

If Survive the Summer was an attempt at a comeback, then it won’t really help her convert her detractors. We could’ve easily survived the summer without it.

Rating: 2 out of 5

*****

Artist: Liam Payne
EP: First Time

The (never ending?) hiatus of boy band One Direction has given its (former?) members a chance to establish their own place and identity in the industry. But some of them have clearly had more success on their solo route than others. Liam Payne’s efforts have ended up on the weaker end of the spectrum, and his debut EP, First Time, doesn’t do much to establish him as an interesting, versatile artist.

Postponing the release of his debut album, the singer has instead chosen to offer a short, four-song set that will please the fans he has inherited from his 1D days, particularly those who enjoy the current Top 40 trends. The four tracks – the Latin-tinged, French Montana-featuring ‘First Time’, urban pop ditty ‘Home With You’, heartbreak ballad ‘Depend On It’, and electro pop breakup tune ‘Slow’ – are competently made mainstream pop songs that simply lack personality.

The singer has no writing credits on this set, and that sheds light on the main problem with this effort; it fails to show us who the artist really is. Payne appears to be trying to find a place somewhere between Justin Timberlake and Nick Jonas but has failed to distinguish himself from his peers. He neither pushes himself stylistically nor vocally, and, as a result, finds himself stranded in the middle of the road.

Highlights: ‘Slow’
Rating: 2.5 out of 5

- Sameen Amer

Instep, The News on Sunday - 30th September, 2018 *

Friday, September 28, 2018

Mary Poppins returns

trailer review


A couple of years ago, in 2013’s Saving Mr. Banks, Walt Disney Pictures told us in considerable detail how much writer P. L. Travers disapproved of her work being turned into films. Then, a few years later, Disney decided to go ahead and do just that anyway. Because why let a well-respected author rest in peace when you can have her rolling in her grave instead?

Everyone other than the spirit of Ms. Travers, though, is likely to be enthusiastic about the upcoming Mary Poppins Returns, a bright and sunny sequel to the beloved 1964 classic. Well, beloved by everyone except the lady who created the character anyway.

With her famous bag and umbrella in hand, everyone’s favourite magical nanny is back to take care of the Banks children. Jane (Emily Mortimer) and Michael (Ben Whishaw) are now grownups and dealing with a whole different set of problems. Michael, who has three kids – Annabel (Pixie Davies), John (Nathanael Saleh), and Georgie (Joel Dawson) – is struggling with his wife’s death and is about to lose his home.

All their lives are about to be enchanted with the arrival of the charmed protagonist, portrayed here by the ethereal Emily Blunt who seems perfect for the titular part, clearly a fitting successor to Julie Andrews’ iconic role. Blunt is joined by a stellar supporting cast that includes the likes of Lin-Manuel Miranda (who plays a street lamplighter), Julie Walters (who dons the apron as Michael’s housekeeper), Colin Firth (the current president of Fidelity Fiduciary Bank), and even Meryl Streep (!) (who appears as Mary Poppins’s eccentric cousin).

The only actor from the original to return for this sequel is Dick Van Dyke, 92-years young and as charming as ever, although he is now portraying the son of one of his original characters.

In the fairly safe hands of director Rob Marshall, the film seems like a Disney delight and appears to stay true to the spirit of its classic predecessor. It’s all a bright and cheery – and very commercial – joy to behold. Colourful animation brightens up the 1930s London winter. There is singing and dancing and penguins and even the colour red. P. L. Travers would not have approved, but fans certainly will.

Mary Poppins returns to the big screen on 19th December this year, just in time for Christmas!

- Sameen Amer

The Express Tribune Blog - 28th September, 2018 *

Friday, September 21, 2018

Fascinating flags

quiz whiz

1. Which colour appears most commonly on the national flags of the world?
A. Red
B. White
C. Blue
D. Green

2. What number of colours most frequently appear on flags?
A. 2
B. 3
C. 4
D. 5

3. Which colour is almost never found on flags?
A. Grey
B. Brown
C. Purple
D. Yellow

4. What is the most common symbol on national flags?
A. Star
B. Moon
C. Tree
D. Sun

5. Which country’s flag is this?

A. United Kingdom
B. Australia
C. New Zealand
D. Fiji

6. Until 2011, which country’s flag was only one colour?
A. Venezuela
B. Malawi
C. Georgia
D. Libya

7. Which country’s flag is square?
A. Panama
B. Qatar
C. Switzerland
D. Vatican City

8. Which country has the only national flag in the world that is not four sided?
A. North Korea
B. Nepal
C. Niger
D. Namibia

9. What mythical creature appears on the flag of Bhutan?
A. Minotaur
B. Unicorn
C. Dragon
D. Sasquatch

10. Which country’s flag has a bunch of bananas on it?
A. Philippines
B. Ecuador
C. Indonesia
D. Fiji

11. Which two countries have identical flags?
A. Chad and Romania
B. Ireland and Ivory Coast
C. Guinea and Mali
D. Indonesia and Poland

12. Which country’s flag is different on the front and back side?
A. Chile
B. Argentina
C. Uruguay
D. Paraguay

*****

Answers
1. A
Red is the most common colour on national flags, and appears on more than two-third of the flags in the world. The area taken up by red on flags varies; some – like the flags of China, Morocco, Turkey, and Vietnam – are primarily red, while others – like Fiji, Guam, and Zambia – only have smaller areas of the colour.
White and Blue are the second and third most frequent colours on flags.

2. B
The most frequent flags in the world are the three-coloured flags.
Tribands – flags with three parallel bands – are a popular choice. Around one-third of all current national flags are triband, and many of these are tricolour. Red, again, is the most popular colour.

3. C
There is a reason purple is linked to royalty – it used to be very expensive. Centuries ago, purple dye came from sea snail and was very difficult and costly to make, which is why it became the colour of nobility and was not suitable for flags.
Today  only small touches of purple can now be found on the flags of Dominica (a sisserou parrot) and Nicaragua (rainbow).

4. A
The star is the most common symbol on the flags of the world. At least one star appears on the flags of more than 50 countries, including our own beloved Parcham-e Sitarah o-Hilal. The flag of the United States of America has fifty stars which represent the 50 U.S. states.

5. C
This is the flag of New Zealand, one of a number of countries and territories – also including Australia, Fiji, and Tuvalu – that incorporates the British flag, the Union Jack, into their own flag.
But the Union Jack is disappearing from the flags as the Commonwealth nations drop the British symbol and adopt new flags. Canada made the change in 1965, and South Africa dropped the it in 1994. Tuvalu removed the Union Jack in 1996 but reinstated it in 1997. In recent years, there has also been interest in changing the flags of New Zealand, Australian, and Fiji.

6. D
Venezuela, Malawi, Libya, and Georgia have all changed their flags recently.
Until 2011, Libya had a plain green flag that was chosen by Muammar Gaddafi to symbolise his political philosophy (which was detailed in The Green Book) and was introduced in 1977. After the revolution in which Qaddafi was overthrown, a new flag was adopted, which is actually an old flag that was previously used for the Kingdom of Libya (1951 – 1969).

7. C and D
The flag of Switzerland consists of a red base with a white equilateral cross in the centre, and is one of only two square sovereign-state flags. The other one is the flag of Vatican City, a vertical bicolour with gold/yellow and white bands, with the crossed keys of Saint Peter and the Papal Tiara centred on the latter.

8. B
Nepal has the only national flag in the world that isn’t four sided. The non-quadrilateral flag has five sides, a combination of two triangles. It is red in colour with a blue border and features the sun and the crescent moon as emblems.

9. C
Druk, the Thunder Dragon of Bhutanese mythology, graces the flag of Bhutan. The flag, adopted in 1969, is divided diagonally into two triangles, one yellow and the other orange, and has the white dragon holding four jewels in its claws in the centre.

10. D
The Fijian flag – a sky blue background with the Union Jack in the upper right corner – also features a shield that represents the agricultural activities on the Pacific island. The white shield with a red cross and red chief is divided into five part:
- Top: a British lion holds a cocoa pod between its paws
- Upper left: sugar cane
- Upper right: coconut palm
- Lower left: a dove of peace
- Lower right: a bunch of bananas.

11. A
The flags of Chad and Romania are almost identical. Both are tricolors with vertical stripes of blue, yellow, and red. The only minor difference is in the shade of blue – Chad’s flag has a slightly darker shade of blue than Romania. When Chad adopted the flag in 1959, Romania's flag was different and featured an insignia in the middle of the tricolour. Concerned about the near-identical flags, Chad asked the United Nations to examine the issue in 2004, but Romania said they would not give up the tricolour or change the flag.
The flags of Ireland and Ivory Coast are vertical mirror images of each other (that is, the colours are in reverse order), as are the flags of Guinea and Mali. And the flags of Indonesia and Poland are horizontal mirror images of each other (or upside down).

12. B
The obverse and reverse of all national flags are either identical or mirrored, except for the flag of Paraguay. A horizontal triband of red, white and blue, the flag has the coat of arms of Paraguay on the front and the reverse side of the arms on the back.

- S.A.

Us Magazine,The News International - 21st September, 2018

Sunday, September 16, 2018

Tussling between creative and commercial elements

album reviews

On
Sweetener, Ariana Grande presents a more upbeat outlook than you’d expect; Mac Miller’s Swimming was a glimpse into his weary state of mind; Nicki Minaj’s Queen is an attempt to stay commercially relevant 

Artist: Ariana Grande
Album: Sweetener

Ariana Grande’s musical instincts seem to be pulling her in two very different directions. On her latest album, Sweetener, the American singer seems to be tussling between pushing boundaries and sticking to conventional standards.

Grande has worked with Pharrell Williams on 7 of the 15 tracks on the record, with the producer using intriguing textures and beats while playing with song structures to create the more interesting half of the album. He does go overboard with his eccentric touch on ‘The Light Is Coming’, an otherwise terrific song made almost unbearable by a distracting, grating spoken-word sample that inexplicably never fades.

The other half of Sweetener, produced by several hit-makers, including Max Martin and Ilya, is more generic and formulaic, although the aforementioned producers do deliver the record’s biggest standout, ‘No Tears Left to Cry’, a pristine hit in keeping with the chart-topping dance pop they specialize in.

The album’s contents seem informed more by her relationship with Pete Davidson (who even has a track named after him) than her breakup with Mac Miller, presenting a more upbeat outlook than you’d expect given the events of the preceding year. While there is heartbreak and vulnerability here – the album opener is a beautiful a-cappella snippet of ‘The Four Seasons’, ‘An Angel Cried’, while the closer, ‘Get Well Soon’, seems to refer to last year’s tragedy in Manchester – the set is rooted in healing instead of despair. “The light is coming to give back everything the darkness stole,” Grande says on the aforementioned ‘The Light Is Coming’, a sentiment that seems to have resonated with her while working on this project.

Sweetener may be uneven, and its producers’ styles may often overshadow its singer’s own personality, but the record’s experimental tendencies help Grande stand out in the R&B-tinged pop landscape and create exciting, offbeat tracks while showcasing her clear, smooth vocals.

Highlights: ‘No Tears Left to Cry’, ‘Sweetener’, ‘Get Well Soon’
Rating: 3.5 out of 5

*****

Artist: Mac Miller
Album: Swimming

In his mellow final album, Mac Miller has given us a glimpse at his weary state of mind. Released just a month prior to his untimely death at the age of 26, Swimming offers a strikingly introspective collection of hip hop tunes that sail sublimely on the rapper’s laidback delivery set against relatively sparse backdrops.

The album finds the artist searching for solace while getting over a breakup and struggling with substance abuse. There are no featured appearances this time around unlike 2016’s significantly busier The Divine Feminine. The album, nonetheless, does include contributions by the likes of Snoop Dogg, Syd, and Thundercat.

From its haunting start with ‘Come Back to Earth’ on which Miller chooses to sing instead of rap to its trippy end with ‘So It Goes’, Swimming connects with listeners even if  it goes on for a bit too long or doesn’t offer enough variety along the way. A host of producers have helped create these songs, but the final result is cohesive and always sounds very emphatically like Miller’s record. The rapper impresses with his wordplay and his relaxed style works well with the restrained production.

Nearly a decade removed from his mixtape beginnings, Swimming shows tremendous growth, offering an intoxicating look at a troubled life that seems even more poignant and bleak in light of recent events.

Highlights: ‘Come Back to Earth’, ‘What’s the Use?’, ‘Self Care’, ‘Ladders’, ‘Dunno’
Rating: 3.5 out of 5

*****

Artist: Nicki Minaj
Album: Queen

Worried that a certain someone might usurp her place atop the hip hop throne, Nicki Minaj has released the grand Queen, an album comprising of a whopping 19 tracks that sees the artist demonstrate her rap skills while attempting to stay commercially relevant.

The Trinidadian-American rapper has basically crammed two albums worth of material in one, trying on various styles with the help of a number of her famous friends.

Minaj seeks inspiration from all over the musical spectrum in putting together these tracks.

‘Barbie Dreams’, which playfully disses her male contemporaries, references Notorious B.I.G.’s classic ‘Just Playing (Dreams)’. A supersonic Eminem appears on ‘Majesty’ along with singer Labrinth who adds a melodic chorus to the song. Ariana Grande features on the loved-up radio friendly pop tune ‘Bed’. Island vibes adorn ‘Ganja Burn’. And there’s even a piano ballad on the album in the shape of ‘Come See About Me’.

But in embracing all these many sounds, Minaj has created a set that lacks coherence or a truly unique outlook. Queen is cheeky and raunchy and mostly enjoyable, but this isn’t a deep, intimate exploration of the singer’s life and thoughts. The direction of this project seems to have been influenced by the pressure of staying number one in her realm, and the strain shows in the result. A more cohesive, more focused record that was less concerned with popularity could have made better use of the rapper’s considerable talents.

Highlights: ‘Majesty’, ‘Barbie Dreams’, ‘Coco Chanel’
Rating: 3.5 out of 5

- Sameen Amer

Instep, The News on Sunday - 16th September, 2018 *

Friday, September 07, 2018

Introducing ... Danyal Zafar

cover story

He’s got the talent, the looks, and the charisma, and he’s ready to take the entertainment industry by storm.

Danyal Zafar is following in the footsteps of his famous older brother, Ali Zafar, and trying to establish his name in the world of music and acting. In a chat with Us, the budding star talks about venturing into the music business, his upcoming debut album, and the experience of working with his elder sibling.

Us: Could you please tell Us a bit about your early life, upbringing, and education?
Danyal Zafar: My most vivid memory of childhood is when I lived at my grandparents’ house. I must have been four. I used to live with my cousins and went to the same school as them - it was LGS in Lahore Cantt. I then moved to Beaconhouse Defence Campus, and stayed there from grade one till my O and A Level graduation.
I think growing up I was more privileged compared to my brothers [Ali and Zain]. I went to the same school as them, but where they took cycles and vans, I had the luxury of going in an air-conditioned car every day; where they got gifts once a year on their birthdays, I’d get toys once a month at least. But I did make sure to make my parents proud and happy when it came to my studies. I wasn’t too bright initially, but after middle school I went on to score six A*s and three As in my O Level and two A*s and a Distinction Level 2 in my A Level.
Right after that, I took two gap years as some work prospects came by, films in particular, that would’ve required me to spend a lot of time in training (for acting) as well as shooting. Some didn’t go through, and when I had some free time on my hands till the next projects, I decided to attend the New York Film Academy in L.A. and take on the one year conservatory filmmaking course. However, the funny thing is, the very day I landed, I got an audition call for another film in India. But since I had paid for the first semester, I tried delaying it till at least it was finished - and then sent the audition. It went through and after my first semester I packed my bags and left for India.
My parents have been extremely supportive of my decisions. I don’t think parents usually let their children skip on bachelors or getting a degree; even if they do they’d hardly be in favour of it. But in my case I was extremely lucky and fortunate enough to have parents who let me pursue my goals and heart the way I wanted to, despite being professors! Though my mother said to me once, “You’ve scored good grades, it’d be unfair if you never pursue knowledge and education at a higher level as well; when you do is another thing, but do go for it”. I just completed first year of my Bachelors from University of London!

Us: You are still in your early 20s, so you must have been very young when your elder brother Ali started gaining prominence in the entertainment industry almost 15 years ago. What impact, if any, did his fame have on your life in your childhood and teens?
Danyal: Well, I know the feeling that’s always been persistent and always will be, too. I felt immensely proud of him. When he would come to pick me up from school - I think I was around nine at that time - I’d ask him to sing in front of everyone, or flaunt his muscles! When I grew up and got into music, I was nothing but inspired by him. The talent he has is something different, but to see him work so hard was what would inspire me. Growing up, I kind of changed a bit. There are people who love introducing themselves on the weight of their popular or powerful family members, but I was always taught to work towards building my own identity. So I would never straight up tell people about him, though from the slight resemblance in early age and the surname people would just figure it out on their own! But he’s so humble, even at home, that I never felt I was the brother of a star!

Us: What inspired you to become a singer? Did your elder brother’s career and success influence your decision to venture into the music industry?
Danyal: Every individual’s success is his/her own. Of course watching someone suddenly become successful does inspire you to take steps for yourself, too. But there were personal factors as well that led me to get into music. My brother gave me his Zen music player (like an iPod), and I was travelling to the United States then. It had all the western classics one could wish for. I started listening, and I took a guitar with me, which I did not know how to play much other than a few chords my brother had taught me (he just put a guitar in my hands and in 10 minutes taught me three chords, and I went off from there!) But this trip changed a lot of things for me. I heard Pink Floyd and Jeff Buckley for the first time and I remember I immediately started taking lessons online.
Certain moments really inspired me like being out and about in nature, in small tourist forests, by the beach, by the sea, a river, walking by myself in Manhattan, late night walks in beautiful neighbourhoods and so forth. Then I started playing the guitar nearly every day at some park or the other, and the next thing you know I was humming originals.
Apart from this, what really inspired and pushed me on a personal level was the feeling I would get when I would listen to music. I would feel so connected with myself. Music helped me express; it would help me experience my emotions much deeper. It was like therapy! If I was down or sad, listening to sad music would actually help me vent and feel better. I wanted to help others experience this, too. I wanted to make music that would let others experience what I did. Help them feel better or relate to something at least, connect with something; that inspired me a lot.
When I came back, my brother saw me evolving as a musician, and he took me to his studio every day. I’d be playing guitar on his songs and what not, and at this stage, seeing him sing, seeing him make music, working so hard, then inspired me on a more practical/executional level.

Us: We saw you performing as a vocalist and guitarist last year on Coke Studio, which is the country’s most prominent musical platform. Why did you feel this was the best vehicle for you to make your musical debut? And why did ‘Muntazir’ feel like the best song to introduce yourself to listeners?
Danyal: As you’ve just mentioned, it is the country’s most prominent musical platform! It enables you to voice yourself in front of the whole country, and not just that, Coke Studio also has a huge international following! I don’t think it’s an opportunity anyone will pass, as you’re getting a chance to showcase your talent in front of millions of people.
‘Muntazir’ was right up my alley at that time. In those days, I was trying to figure out what sound I would have for my own music, and pop rock and soft rock was really taking the lead. It’s like they say, when you’re working towards something, the universe starts aligning you to it. And ‘Muntazir’ happened! It was like a breath of fresh air, though it had hints of a classic Strings tune, but I felt connected to it.

Us: You also worked with Ali on the music for the film Teefa in Trouble, which is a huge box office hit. Congratulations on the success of the movie! How was the experience of working on the soundtrack? And how different was it from recording your own songs for your debut album?
Danyal: Thank you! Up till this film we had worked together so much that we just had this flow of working with each other without having to say much even. That’s how the songs happened - we would discuss everything once and just get to it. And whatever we made first would just be it. There wasn’t any single song that got scrapped or reworked! But of course the music was film based so the experience was different such that we had to align with the situations in the film, but when I saw the final product everything just settled so perfectly. It was just the way we envisioned everything!
When I work in isolation, not just the thinking and the approach, but even the process is very different for me. That’s because my sound is very different from his. Apart from the fact that the music for the film was situational, and the album was just music itself, my way of writing, structuring the song, figuring out the sound, all was entirely different in every way.

Us: Speaking of your own music, you are planning to release your first album, Ek Aur Ek 3, soon. What can you tell Us about the album?
Danyal: Well, I’ve put my blood and sweat in it. I’ve produced most of the tracks myself. It’s taken me long to figure out how I wanted the album to turn out; a lot of songs were scrapped, a lot added, a lot changed entirely in their production. Here’s how it happened: I kept going to the studio for about eight to nine months, and would make a new song nearly every day. I just kept making songs after songs, and when I felt like I can’t anymore or there was monotony, I stopped. And from what I had made, I chose the best lot and decided to come out with it. And it’s not like I’m going to drop all the songs together on one day; albums in Pakistan don’t work that way, unfortunately. They’ll be released with 2 to 3 months of gap between each song so that every song gets its recognition . Still I chose for them to be part of one album because they are songs I made in one phase - I want for them to be considered a ‘phase’ as well, hence the album.

Us: You are releasing the title track ‘Ek Aur Ek 3’ as the first single. How would you describe the song?
Danyal: All I can say is that it’s a blend of blues, R&B, and funk fused with our traditional and cultural musical elements. I’ve tried doing something experimental hence don’t want to give away too much. But there’s definitely a surprise to look forward to!

Us: You also have acting aspirations. Any projects in the pipeline on that front?
Danyal: As of now, none. I’m trying to focus on music as much as possible and have my energy channelled in one direction.

Us: What kind of music do you listen to? Who are some of your favourite artists?
Danyal: I listen to everything. I’ve never looked at music in genres. Though, I’m always in the mood for some blues, funk, R&B, chill vibe, psychedelic rock. These days I’ve discovered some lo-fi stuff so I’ve been really into that. My favourites are John Mayer, Pink Floyd, and Jeff Buckley.

Us: And who are your favourite actors?
Danyal: Favourite actors are Brad Pitt, Christian Bale, Adrien Brody, Robert De Niro, and favourite actresses are Margot Robbie, Sharon Stone, Charlize Theron, and Helena Bonham Carter.

Us: What are your hobbies? What do you enjoy doing in your spare time (presuming you have any)?
Danyal: Oh man, I am a sucker for gaming! I play Counter-Strike 1.6 on LAN with my friends like crazy. All-nighters maybe every weekend, sometimes even every 2-3 days. I’ve wasted a lot of my time gaming and I’m not even ashamed of it!

Us: What can we expect from you in the coming months?
Danyal: Lots and lots and lots of music! Of all kinds, some that will even take people by surprise!

- Sameen Amer

Us Magazine, The News International - 7th September, 2018 *

Sunday, September 02, 2018

Orange Is the New Black returns to former self with latest season

television series review

Even though the drama may not be as impressive as it was at its peak, season six still comes close to recapturing its former glory and is a marked improvement from last year’s outing

Orange Is the New Black 
Season 6

Starring: Taylor Schilling, Natasha Lyonne, Uzo Aduba, Danielle Brooks, Jackie Cruz, Laura Gómez, Selenis Leyva, Taryn Manning, Adrienne C. Moore, Matt Peters, Jessica Pimentel, Dascha Polanco, Elizabeth Rodriguez, Nick Sandow, Dale Soules, Yael Stone, Kate Mulgrew and Laura Prepon
Created by: Jenji Kohan
Based on: Orange Is the New Black: My Year in a Women’s Prison by Piper Kerman

When Orange Is the New Black is good, it’s very, very good. But the comedy drama also has the tendency to lose its way along the shady, murky, raunchy, irreverent corridors of its own premise. It’s this inability to consistently find the right focus and balance that led to the mess that was season five, a digression that seemed to be constructed on some of the series’ worst whims instead of its best assets. Luckily though, the web hit has once again found its footing in its latest season, a return to form with the show once again spinning fascinatingly dark and twisted tales.

We return to the lives of the inmates at Litchfield Penitentiary, with the repercussions of last season reverberating into this set of 13 episodes. The setting has changed from minimum to maximum security as a result of the riot that started with the death of an inmate and led to the death of a guard.

Loyalties are tested amidst the fallout from the riot, as the authorities search for scapegoats, looking to create examples by increasing the sentences of those deemed – justly or otherwise – responsible for the revolt. The incarcerated women find themselves in the position of having to push their friends under the bus if they want to escape unscathed.

On an individual front, Piper (Taylor Schilling) is looking for Alex (Laura Prepon), fearing the latter might be dead. Daya (Dascha Polanco) is suffering physical abuse from the guards, while her mother, Aleida (Elizabeth Rodriguez), who is now out of prison, is trying to get her children back. Nicky (Natasha Lyonne) is worried about Red (Kate Mulgrew) who is feeling betrayed by her girls. Gloria (Selenis Leyva) and Maria (Jessica Pimentel) are at odds. Suzanne (Uzo Aduba) is struggling to adjust to her new surroundings. Lorna (Yael Stone) is having a baby and Blanca (Laura Gómez) is wishing she was having a baby. Frieda (Dale Soules) is worried for her safety. Pennsatucky (Taryn Manning) is on the lam. Flaca (Jackie Cruz) is intent on hosting a prison radio talk show. Cindy (Adrienne C. Moore) is filled with guilt over a choice she made. And Taystee (Danielle Brooks) is trying to fight the charges that have been levelled against her by the authorities.

Not everyone from the previous seasons is present this time around. Much of the recurring cast is missing, and several new characters have been introduced in their place. The main thread for the new additions revolves around the decades-old feud between two prison blocks, each led by one of two rival sisters, Carol (Henny Russell) and Barb (Mackenzie Phillips), aided by their respective henchwomen, Badison (Amanda Fuller) and Daddy (Vicci Martinez).

The newcomers mostly serve as the villains, and the baddies here are a bit of a problem. Most of these characters are like caricatures – just plain bad with no redeeming qualities … although that doesn’t come as a surprise as OITNB isn’t exactly known for its subtlety. But if you prefer your players with shades of grey, then the main villains are likely to disappoint. The antics of their minions may be fun to watch, but ultimately it’s hard to care one way or another which sister eventually triumphs.

But that isn’t a major squabble, since there is plenty of emotional drama on offer from the legacy cast. Orange Is the New Black can’t always get the tone right, but it knows how to create affecting portraits of complex women, and season six is a step in the right direction for character development. The change in setting also helps by injecting some life into a premise that is struggling to find new ways to keep going. And as always, the series effectively rips the prison industry to shreds, highlighting the indifference of the for-profit prison system and shedding light on the predicament of those stuck in its brutal web.

Orange Is the New Black remains one of the most distinctive television shows (that isn’t actually on television). The flashbacks and back stories are not as strong this time, but even though the drama may not be as impressive as it was at its peak, season six still comes close to recapturing its former glory and is a marked improvement from last year’s outing. If you are a fan of the series, then you’ll enjoy this chance to reunite with familiar faces and delve a little deeper into their strange lives.

- Sameen Amer

Instep, The News on Sunday - 2nd September, 2018 *